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Juliet and Romeo strains to be meaningful but never earns its emotional crescendos

(Version anglaise seulement)
par Emily Rowe, Lecturer in Early Modern Literature, King's College London
The new musical film Juliet and Romeo arrives on screen with lavish visuals, saccharine pop songs and a reworked Shakespearean plot that tries to dazzle. With its vivid colour palette and dreamy masquerade aesthetic, this is Verona as filtered through a Eurovision lens: glittering, melodramatic and frequently overwrought.

Writer and director Timothy Scott Bogart and composer Evan Kidd join a lineage of Romeo and Juliet adaptations that blend music with spectacle. Who could forget Harold Perrineau’s drag rendition of Young…The Conversation


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