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Horror’s monsters find new meaning with queer and trans audiences – how ‘Teenage Sex and Death at Camp Miasma’ dissects identity

By Wesleigh Gates, Ph.D. Candidate in Culture and Performance, University of California, Los Angeles

Queer horror is having a moment. The recent film “Leviticus” (2026), a harrowing allegory for conversion therapy, was a critical hit. Meanwhile, Ryan Murphy’s undeniably gay “American Horror Story” returned to TV this fall, offering a campier approach to the genre.

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