Opera in Cape Town: critics trace how a colonial art form was reinvented as African

By Wayne Muller, Publications Editor / Research Fellow (Africa Open Institute for Music, Research and Innovation), Stellenbosch University

Many people thought that classical opera in South Africa – regarded as a western, colonial art form that was the preserve of white people during apartheid – would die with democracy in 1994. Instead the opposite happened. Black singers emerged as the new stars and the format of opera began to be Africanised for new audiences. Critics mapped this transformation as Cape Town established itself as a hotbed of the new opera. One such critic was Wayne Muller, who became an academic and wrote a

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~	How collaboration from across Canada, and the world, is helping fight the Alberta wildfires

~	Video game performers are becoming Hollywood stars in their own right − and are on strike to be paid and protected accordingly

~	Paris Olympics: Canada’s soccer drone scandal highlights the need for ethics education

~	World News in Brief: Historic Palestine monastery on World Heritage in Danger List, rights office condemnation as Ghana upholds anti-gay law, free jailed Russian activist

~	Nearly half of children born in Wales in 2002-3 classed as having special educational needs – this may have negatively affected their attainment

~	Bosses are increasingly forcing workers back into the office – but evidence suggests it could backfire

~	Commonly used drug may extend women’s fertility, claim researchers – here’s what you need to know about rapamycin

~	The first farmers often made landscapes more biodiverse – our research could have lessons for rewilding today

~	An artist has stolen a coin from the British Museum as part of a performance piece – but is the artwork ethical?

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