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Lily Allen’s new album is ‘autofiction’ – but turning your life into a story carries ethical and emotional risks

By Elaine Gregersen, Associate Professor in the School of Law, Northumbria University, Newcastle

To listen to Lily Allen’s new album West End Girl is to be drawn into the painful disintegration of a marriage. It feels like we are there, with Allen: on the call learning about her husband’s alleged infidelity, reading the texts on his phone, finding the physical evidence.

The critics love it. Fans are writing obsessive, breathless newsletters…

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