Asher Keddie is outstanding in Strife – but the show gives us an uneven look at girlboss feminism

By Michelle Arrow, Professor of History, Macquarie University

The inner workings of magazines, television stations and newspapers have been rich fodder for film and television for decades.

From All the President’s Men (1976) to Frontline (1994–7), Paper Giants: The Birth of Cleo (2011) and The Newsreader (2022–3), we remain fascinated by stories of how our media are made. These kinds of films and series immediately immerse viewers in a precise historical setting and allow commentary on it. This year’s series of The Newsreader reminded us of the divide in Australian culture over the bicentenary commemorations of 1988.

Set around 2012…

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