Artists created images of Christ that focused not on historical accuracy but on reflecting different communities − a scholar of religious history explains

By Virginia Raguin, Distinguished Professor of Humanities Emerita, Visual Arts, College of the Holy Cross

In 1915, Norwegian artist Emanuel Vigeland, one of the most respected Scandinavian artists of his time, created an image of Christ with golden hair and fair skin.

Vigeland was well aware of a widely popular Bible illustrated by French artist James Tissot showing Christ as Middle Eastern with dark hair and brown skin. Tissot had spent many years in the Holy Land in the late 19th century, researching the “historical…

Read complete article

~	The jury from Moldova gave highest points to Ukraine during Eurovision 2024

~	Rwanda’s role in eastern DRC conflict: why international law is failing to end the fighting

~	Mapping malaria in Africa: climate change study predicts where mosquitoes will breed in future

~	Why is my dog so cute? The Conversation’s Curious Kids podcast

~	India’s LGBTQIA+ community notches legal wins but still faces societal hurdles to acceptance, equal rights

~	Al Ahly and Esperance highlight the dominance of North Africa in club football. Lessons for other African teams

~	Sri Lanka: Fifteen years after the end of war, victims still await justice at Mullivaikkal

~	South African communities vs Shell: high court victories show that cultural beliefs and practices count in climate cases

~	Why the New Yorker blocked UK website readers from its Lucy Letby story – an expert explains

~	How a British military march became the distinctive sound of American graduations